Siberian soprano Maria Vasilevskaya

praised for her “sweet and clear tone” (Palm Beach Daily News) and “resilient performance” (City Paper), joins the Deutsche Oper Berlin ensemble in their 2024/2025 season as an Opera Foundation Scholarship recipient. This season with DOB, her roles will include: Erste Dame in “Die Zauberflöte”, Berta in “Il Barbiere di Siviglia”, Annina in “La Traviata”, Tebaldo in “Don Carlo”, Das Echo der Rätselstimmung in “Antikrist”, Die Schleppträgerin in “Elektra”, Frantik /Grille/Eichelhäher in “Das schlaue Füchslein”, Countess Ceprano and Paggio in “Rigoletto” and a cover role of Agata in Respighi’s “La Fiamma”. She will also perform the role of Kallis Mutter in World premiere of Gordon Kampe’s opera “immmermeeehr” and the role of Silvana in the new production “Immersion”.

Maria has completed her third year as a Resident Young Artist at Palm Beach Opera. Her highlight roles include Clotilde in Norma, Rosina in The Barber of Seville, Sylviane in The Merry Widow”, the First Witch in Dido and Aeneas, and cover roles for the Four Heroines in Les Contes d'Hoffmann, Adina in L’Elisir d'Amore, and Belinda in Dido and Aeneas. Her other roles include Donna Elvira in Don Giovanni at the Eastman Opera Theatre. There, Maria also participated in the revival of Ricky Ian Gordon’s opera The Tibetan Book of the Dead, working with the composer himself.

A 2020 and 2021 Des Moines Metro Opera Apprentice Artist, Maria joined the Aspen Music Festival in the summer of 2023 to cover the role of Roxanne Coss in Jimmy Lopez's “Bel Canto”. She returns to Aspen in the 2024 season to collaborate on a work by Matthew Aucoin and Peter Sellars, “Music for New Bodies” . There she will also perform Ortlinde in Wagner’s Die Walküre with the Aspen Festival Orchestra and Woglinde in Das Rhinegold with Aspen Opera Theatre.

Maria's concert repertoire includes Mendelssohn’s “Elijah”, Vivaldi's “Gloria”, Bizet’s “Carmen Suite”, Handel's “Messiah”, Mussorgsky's “Songs and Dances of Death”, Kurt Weill's “Die Sieben Todsünden” (Anna I), and Ginastera’s “Cantata para América Mágica”.

The 2023 Laffont Competition Tennessee District winner, Maria was named a Friends of Eastman Opera and Concerto Competitions winner while at the Eastman School of Music, where she earned her master's degree. She also holds a bachelor's degree with honors from the Yerevan Komitas State Conservatory.

“Another highlight was Maria Vasilevskaya’s Clotilde. She imbued her short interactions with Norma with dramatic skill and a gorgeous tone. Clearly, a singer to watch.”

— Palm Beach Arts Paper

Soprano Maria Vasilevskaya was angelic as Rusalka, moving as a phantom across the stage. Her voice had a sweet and clear tone that contrasted beautifully with the prince…”

— Palm Beach Daily News

“Maria Vasilevskaya’s Donna Elvira was strong and resilient”

— CITY Magazine